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A strong 80s vibe ("We are the 1980s" declares Murphy on 'Techno Fan') only adds to the dime-a-dozen vibe, while the relatively simple song structures mean the band cannot match the multi-layered approach of the genre's heavyweights. Multiple producers polish their respective tracks up slickly, but the album is so over-reliant on synths, that it could almost be classified as electro-pop. More concerning is the change of musical direction adopted by The Wombats second time around, with 'This Modern Glitch' being a less versatile record than its predecessor. 'Last Night I Dreamt.' ends with "Apart from when I lost my virginity, I've never been known to frighten easily", while 'Walking Disasters' serves up "Consumption makes us stronger, you're the sweetest anaconda". As always, for every lyrical gold nugget, there is an awkward, corny rhyme to be heard. The one-time addiction to prescription anti-depressants of front-man Matthew Murphy is laid bare, and while it clearly assists both his rehabilitation and the band's development, it weakens the curiously likeable charm evident on their debut. The acerbic pop culture references are still littered throughout, but the self-deprecation clearly has a darker, more serious undertone here. Both of these cuts are likely to be judged on the trademark wit of their lyrics, with the former pleading "Please allow me to be your anti-depressant, I too am prescribed as freely as any decongestant”, while the latter proclaims "Shutup and move with me or get out of my face, I didn't queue for an hour to leave straight away".Īs part of the maturation process of the band, the lyrical content of 'This Modern Glitch' has evolved from the fun, witty and humorous one-liners of 'A Guide to Love, Loss and Desperation'.
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This time around it gets a little more divisive after that, with strings-drenched third single 'Anti-D' and club-ready fourth single 'Techno Fan' certain to have as many haters as they have fans. Meanwhile, follow-up track and single 'Jump Into the Fog' contains the bombastic attributes of fellow Brits Muse, moving from pronounced atmospheric keys to a distorted guitar solo in a heartbeat. So when killer lead single 'Tokyo (Vampires & Wolves)' was released seven months prior to the Scouser's second album 'This Modern Glitch', critics and fans alike, were still tentative in raising their expectations.Īrguably their best song to date, the insanely catchy sing-along chorus and body-moving qualities of 'Tokyo', recalls the superlative dance-rock of Franz Ferdinand & The Killers at their best. Quite frankly, the distance between the cheeky trio's best and worst tracks on their debut LP was so immense, that even Deaf Jeff could choose which - and in what order - tunes would be let loose upon the masses. One band who has found an effective way to circumnavigate such discussion is Liverpudlian indie-poppers The Wombats. One can imagine many a back-room debate concerning the decisions, with internal power struggles, hypocritical principles and objective adjudicators all a possibility to enter the process. While the subject ranges from trivial to an integral bone of contention, it is always interesting to see what songs an artist (and/or their label) release as singles. Review Summary: These inconsistent Wombats will release a great Best Of compilation one day.